Monday, November 24, 2008

Kate Atkinson's "When Will There Be Good News?"

I've never been a fan of the kind of paperback murder mysteries that fill the shelves of airport gift shops like so many king-sized Snicker bars. Even the best page-turners in this genre seem to bear a formulaic, commoditized quality that is surpassed only by the prepackaged peanuts that their readers will soon be munching in flight. In both cases (the books and the peanuts), the product is consumed because it offers a momentary diversion, but the long term effects aren't particularly gratifying.

I knew Kate Atkinson's work rose above the average murder mystery when I stumbled upon her first book in that genre, entitled "Case Histories." I was browsing the shelves of my library, picked up the book on a whim (interesting cover), and was hooked after reading the first three pages. Ms. Atkinson's writing had a tart and quirky edge to it that I hadn't encountered before, and I finished the book in about two days. When friends asked me why I was recommending it, I could only say that they had to read it for themselves. Her second book in the series, "One Good Turn," didn't impress me quite as much as her first, and I was anxious to see what her third installment would have to offer.

"When Will There Be Good News" was worth the wait. The book begins with a horrific crime that is presented to the reader in typical Atkinson style. The reader is gently pulled into the narrative by a comfortable depiction of everyday domesticity: A harried mother gets off a country bus with her three children and the family dog. The summer day is hot, the children are flushed and sticky, and the baby stroller is stubbornly resisting every rut in the deserted lane as the family slowly trudges home from the market. Bees buzz, grocery bags are juggled, the children chatter and argue over who is in charge of the dog, and then . . . the unthinkable.

As usual, Atkinson intertwines the crime and its aftermath with several other narrative threads that collide and twist together in amazing ways. The lives of Jackson Brodie, Brodie's former love interest Louise, an orphaned 16-year old girl named Reggie, and the sole surviving victim of the crime described in the book's first chapter intersect in a series of unlikely coincidences that keep the reader guessing until the end.

Atkinson's mordant humor has a dark quality that invites comparison with Roald Dahl and Lemony Snicket (a series of unfortunate events for adults, if you will). Every character in "When Will There Be Good News" has loved someone who died in a brutal or sinister way, and almost all of the adults have made disastrous domestic choices that can only lead to tears (if not worse). And yet, a spirit of feisty resistance against despair infuses Atkinson's work: Reggie, a cheeky little scrapper who has seen the worst that blind chance can dole out, is determined to worm her way into a new "adoptive" family; Jackson, bruised and battered by multiple romantic disasters in the past, is nevertheless ready to take his chances again if opportunity knocks.

The resilient "carry on" attitude of Atkinson's characters helps to counterbalance the malevolent twists of fate that they encounter, and the result is unusually engaging.

Atkinson's books are especially appealing to American readers who prefer a heavy dose of UK atmosphere in their fiction. Reggie's diet (crisps, digestive biscuits, and chocolate wafers), Louise's unwitting connection to some dodgy real estate schemes (we're talking Glaswegian underworld types here), and many other details (inadequate space heaters, Pakistani convenience stores, etc.) make for a convincing tour of the rough northern uplands.

The last chapter of "When Will There Be Good News" leaves the reader eager to discover what course Jackson's life will take next. I'm already awaiting Atkinson's next installment.

Note: If you like the Jackson Brody series, you should also read Kate Atkinson's first book, "Behind the Scenes At the Museum," winner of the 1995 Whitbread Award. It's hilarious.

1 comment:

gettsr said...

I completely agree that Atkinson's work transcends genre. Her depiction of interlocking story lines and characters are stellar. I think her work is prime for a BBC series. Who would you see as Jackson Brody? I say Clive Owen.