Some novels engage their readers with a single element -- plot, character development, etc. -- that carries the book from cover to cover. Other novels succeed on multiple levels that invite the reader to dig into the narrative like a rich layer cake. If you prefer the latter type of book, "Mistress of the Art of Death" should be added to your summer reading (or listening -- more about that later) list.
On its face, "Mistress of the Art of Death" is a straightforward historical mystery set in 12th century England. As the story begins, the reader finds King Henry II juggling several political hot potatoes. He must dampen hot tempers that continue to flare up
Two Jews have already been brutally executed, and Henry faces a dilemma. His decision to offer refuge to European Jewry was not entirely motivated by humanitarian reasons. Church law in
Now, for the layer cake: Ms. Franklin has created a literary tale that includes superb character development, an intricate plot with several eye-popping surprises, sensory descriptions that encompass the reader with the sights, sounds, and smells of 12th century England, fascinating historical details, and an understated commentary on ethnic conflict, science and superstition, Christianity and Islam, Jewish persecution, women's rights, and the rule of law. She even weaves a few romantic threads into her story with a touch of wry humor that is refreshing.
Her characters will remain with you after you read the book: Simon, whose love for his wife of many years burns with a fervor that only increases with age; Mansur, whose chronic fear of excess fat (the frequent fate of a eunuch) conflicts with his budding crush on a middle-aged cook whose food is a slice of heaven; Ulf, a scrappy urchin straight out of Dickens; the local prior, who suffers from a personal medical issue that only Adelia can remedy; rotund Sir Rowley Picot, the much-reviled local tax collector who proves to be more than he appears; and, of course, Adelia herself, whose humanity, clear-headed logic, and stubborn doggedness in the face of ignorance make her an ideal and complex heroine.
I listened to the unabridged recorded version of the book, and I highly recommend it. The reader, Rosalyn Landor, has a rich, well-modulated voice that brings the book's dialog alive for the listener. She varies her voice and accent for each character, and gives the recorded book the aura of a well-acted play that you don't want to end. Luckily, this novel is the first of a series that should be well worth following. An excellent discussion of the book, complete with timeline, author's notes, etc. can be found at www.mistressoftheartofdeath.com.